When the city stands still is a research project in which visual artist Azza Ezzat collaborates with geographer Aya Nassar to trace objects, old and new, that populated Cairo skies during COVID-19 lock-down.
During the spring of 2020, with COVID-19 lockdown, Cairenes took to flying kites over the city’s rooftops in the few hours before curfew time. They attached their cellphones to the kites to take snapshots of the city from above.
Tentative project researching alternative ways of understanding urban reality of Cairo.
Route 10 as a road is part of Elbeshaa project route but with specific characteristics
This is Not a Landscape is an ongoing project that started in 2015 through organic explorations of the urban fabric of the city of Cairo and its myriad complexity. Employing methodologies of visual mapping, illustrations, and graphic experimentation, the project mirrors and attempts to expand the possibilities and meaning of being in the city.
The project began as I was commissioned to make a mural in a tunnel in Khairallah district, one of the most dense informal areas in Cairo.
The mural was a part of a renovation process of the tunnel, supported by the Swiss Embassy.
The work tries to capture the complexity of the urban clusters of the district, which remains unique in their composition and layout.
in 2016, Artist Azza Ezzat got commissioned to paint a mural in one of Ezbet Khairallah tunnels.
Tentative project researching alternative ways of understanding urban reality of Cairo
Main Artist: Ahmad Borham
Co-Artists: Dima Nachawi & Azza Ezzat
Memory of cities is a visual art project that revolves around memory of places. It explores the stories of different places in different cities in the Arab region that share the same approach in urban development which excludes city dwellers and gradually erases the memory of the cities in favor of profit.
This project concentrates on stories of resistance/resilience of these cities to losing their memory by the ongoing process of gentrification, relocation and eviction of their dwellers.
Cairo, Egypt- 2018
ADEF association hosted Ping pong program. It consists of a series of interactive workshops: Each participant will be responsible of producing artwork from another artist’s sketch. She/he could develop the same idea of the sketch or put a reversal concept. Exchanging processes in Ping‐Pong can take many forms.
Guest facilitator: Abdullah Albayyari
drawing on each other’s sketch.
Guest facilitator: Ahmad Borham
cutting sketches into two halves then exchange halves between artists then complete it with his/her vision.
Guest facilitator: Ahmad Borham
One long paper sheet available for all participants to draw on at the same time
Guest facilitator: Abdullah Albayyari
The form here is a time based circulating sketches between artists.
Finally, artists meet in a long session to work/rethink on their ideas in order to reach more complementary ideas
Artists:
Ahmad Borham, Dima Nashawi & Azza Ezzat
Hammana, Lebanon- 2019
During AMMARE art residency, Hammana, Lebanon and in cooperation with Artists: Borham & Dima, As a part of Cities Memories Art project, Ping pong was a collective brainstorming tool to interweave the three narrations of the city and created the intersected frames between stories in our nonlinear artist book: نقطة Speck
facilitators:
Ahmad Borham & Azza Ezzat
Casablanca , Morocco-2019
This time of Cities Memories In Casablanca, During Casa stories حكايات بيضاوية art residency, we used Ping pong as an interactive way to interrogate the residents, helping them telling their trials against gentrification
ping pong program was granted in this trip the travel Grant (within Africa), Africa Art Lines (AAL)
Artwork by Artist: Mohamed Artouf, Casablanca, 2019